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The Sign of the Grail
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What was on TV? He stopped in the lobby and saw a show with a medieval set, very carefully done to convey a medieval flavor, and watched until a heroine looked at a magical apparition in a full-length mirror and said, "I am having... a biochemical reaction!" He could not explain what failed to confront him, but he walked out. It was Freya's Day, commonly shortened to "Friday." When he learned how the days of the week were named, for Norse gods or celestial bodies--namely, Sun's Day, Moon's Day, Tiw's Day, Wotan's Day, Thor's Day, Freya's Day, and Saturn's Day--something seemingly pedestrian met him with a touch of a larger world. Now, it seemed, things that looked like they could tell of a larger world confronted him with the utterly pedestrian?
His homework did not take long.
Then, amidst Bon Jovi blaring through the hall, George began read. What he was reading seemed to affect him more like a song would than a story: a lullabye almost. He read of Arthur walking into battle, carrying an icon of the Virgin above him. There were mighty blows, armies with their mounted shock troops, great knights clothed in chainmail hauberks astride elephantine destriers, and in the center Arthur holding what seemed to be a story within a story, an icon that opened out onto something larger, and yet something he could not see in his mind's eye.
Then at another place he read as Arthur crossed land and sea and placed his sword on the ground and claimed a second Britain, and then gave of his knights, his brothers, and his substance to make a place like Great Britain, with forests and orchards, fields and towns, until he had given what he could of his spirit to make a Little Britain.
George looked through and began to see things weaving in and out: an intensity, a concentration, and not just that he was entering another time but he was entering another time, though he could not tell how it was different: he only sensed that time moved differently, and that his watch told something very different.
Then all of this seemed to crystallize as a grievously wounded Sir Lancelot came to an hospitable knight and Elaine his daughter spent endless time healing his wounds. Love so overwhelmed her that she poured herself out with such intensity that when Lancelot left for the only woman he could love, her body emptied of spirit and life floated on a bier in a boat until Arthur's court wept at the most piteous tale of her love. George found himself wishing he could weep.
--over hill, over dale until the night was black, and neither candle nor star pierced it. The great knight his destrier shook the earth. The great knight was clad in a double coat of mail and the shaft of his greater spear was as a weaver's beam. Then he did stop to dismount and his own steps shook the earth.
Before him was a chalice of purest gold, radiant with light--radiant as the day. He walked before it, his steps shook the earth, and he stood taller than ever he did stand, until his hand grasped it.
The light blazed brighter and a voice in the air spake, "Lancelot, Lancelot, why mockest thou me?" The light blazed, and Sir Lancelot fell against the ground in tremors, and his horse fled far away in terror.
Then Sir Lancelot spake a question which I will not tell you.
The voice answered with words not lawful for man to write, and the pure gold chalice vanished and the light with it.
The knight wist not why he ran, and later he awoke him in a strange place where there were neither man nor beast in sight.
George closed the book. He had been reading for a long time, he told himself. What was there to do?
He looked around the school website for clubs and organizations, and none of the many things people were doing caught his eye. He walked around the campus, looking at the buildings. He went to the library and wandered around the bookshelves, and picked up a few items but set them down. Then he returned to his room and sat down for a while.
He was bored for the rest of the day.
That night, as he dreamed, he saw a castle, and walked into it. Whenever he looked at his body, he saw what looked like his ordinary clothing, and yet he believed he was wearing armor. He walked through hallways, chambers, the great hall, even dungeons, trying to see what he was searching for. At last he was in a room where he heard people, and smelt something ineffable. He caught a glimpse of a chalice that he could not see, yet he sensed its silhouette, bathed in indescribable light on either side, and he saw light rising above its core. But he never succeeded in seeing it.
He awoke from the strain to see it. He heard birdsong, and the fingers of the light of the dawn were brushing against his face.
Something crystallized in George's mind, and he did not need to tell himself, "I am on a quest."
The next day he went into the city to look around in the medieval institute, and tried to see what was there. He managed to walk at a brisk pace, almost run, through the museum, and was nervous over whether he would get out by the time he had to leave to catch dinner. Nothing caught his eye; nothing seemed interesting; everything seemed good only for a glimpse.
There was something eating at him.
During the next week, George discovered online reproduction sword dealers and looked at the perfectly machined character of the many closeup images available online. He didn't buy anything, but after the week thinking and failing to find other places, George returned to the museum. Maybe there was something he had missed.
He stopped at the first sword.
The sword, or what was left of it, looked like it had been eaten by worms, if that were possible. The deeply pitted surface intrigued him; it had all the surface of the complexity of a rock, and he thought that if he could take a magnifying glass or a zoomed-in camera lens to this or that part, it could pass for the intricate surface of a volcanic rock.
The handle didn't look right at all. It was a thin square rod connecting a thick blade and a thicker pommel, and seemed the very definition of "ergonomically incorrect," as if it had been designed to gouge the wearer's hand or generate blisters. It held for George something of the fascination of a car wreck. Why on earth had the museum put such a poor-quality specimen on display?
Then he read the rather large plaque.
The plaque read:
This sword was excavated in what is now Cornwall in Great Britain and dates to the 5th or 6th century AD. It is considered to be remarkably well-preserved, being one of few such finds to be straight and in one solid piece, the metal part lacking only a handguard, and is one of this museum's prized holdings and one of the most valuable gifts from an anonymous donor. The handle, of which only the metal tang remains, was probably wood or possibly other organic materials.
Think for a moment about the time and place this sword would have come from. Everything was made by hand, and there was little wealth: owning a sword would have been like owning a car today. Microscopic examination suggests that this sword was made for someone wealthy, as there are tiny fragments of gold embedded in the blade.
What was life like when nothing was made by machines or mass-produced and therefore things were more expensive and there was less you could buy? What was life when you could not travel faster than a horse and what we today call information could not travel faster than people? What would your life have been like when you would have probably been born, lived, and died within a few miles of the same spot? Life was hard.
But then look at the other side of the coin: can you think of anything people then would have had that you do not have today?
George looked at the sword, and tried to imagine it whole. At least he could tell what shape it suggested. And he tried to think about what the placard said, with none of the technologies he was used to. What would one do? Practice at swordplay? Wander in the forest?
George saw in his mind's eye Sir Lancelot kneeling on one knee, his sword point in earth, his sword pointing down, taking an oath. Then George looked over the sword again and it looked like Lancelot's sword: he imagined Sir Lancelot--or was it George?--laying his right hand on the sword and taking a mighty oath, and for a moment the sword in the museum took its full cruciform shape. And then as his eyes traced over the contours of the sword, it looked almost a relic, and he saw now one thing, now another: one scene from Brocéliande gave way to another, and something tugged at his heart.
He tried to imagine a great feast given by King Arthur to his nobles. There was something of that feast right in front of him, and it seemed to suggest an unfolding pageant. Knights and ladies dined with uproarious laughter, while minstrels sung enchanting ballads, and--
George realized someone was tapping on his shoulder. "Sir? Excuse me, but it's time for you to leave."
George turned and saw a security guard, and in puzzlement asked her, "Why? Have I done something wrong?"
She smiled and said, "You haven't done anything wrong, but I'm sorry, the museum is now closing. Come back another day!"
George looked out a window and saw that the daylight had completely fled. He realized he was very hungry.
He left after briefly saying, "Thank-you."
When he arrived home he was even hungrier, but even before he began eating he began looking through the same sites, selling swords.
None of them looked real to him.
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The Sign of the Grail
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