Yonder

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Their slow walk was interrupted when John looked at a number on a small machine he had attached to his wrist, and interpreted it to mean that it was time for the three of them to stop their leisured enjoyment of the summer night and move with discomfort and haste to one specific building--they all were supposed to go to the building called Fischer. After moving over and shifting emotionally from being relaxed and joyful to being bothered and stressed, they found that they were all on a brother and sister floor, and met their leaders.

Paul, now looking considerably more coherent than when he procured Peter's keys, announced, "Now, for the next exercise, I'll be passing out toothpicks. I want you to stand in two lines, guy-girl-guy-girl, and pass a lifesaver down the line. If your team passes the lifesaver to the end first, you win. Oh, and if you drop the lifesaver your team has to start over, so don't drop it."

People shuffled, and shortly Peter was standing in line, looking over the shoulder of a girl he didn't know, and silently wishing he weren't playing this game. He heard a voice say, "Go!" and then had an intermittent view of a tiny sugary torus passing down the line and the two faces close to each other trying simultaneously to get close enough to pass the lifesaver, and control the clumsy, five centimeter long toothpicks well enough to transfer the candy. Sooner than he expected the girl turned around, almost losing the lifesaver on her toothpick, and then began a miniature dance as they clumsily tried to synchronize the ends of their toothpicks. This took unpleasantly long, and Peter quickly banished a thought of "This is almost kissing! That can't be what's intended." Then he turned around, trying both to rush and not to rush at the same time, and repeated the same dance with the young woman standing behind him--Mary! It was only after she turned away that Peter realized her skin had changed from its alabaster tone to pale rose.

Their team won, and there was a short break as the next game was organized. Peter heard bits of conversation: "This has been a bummer; I've gotten two papercuts this week." "--and then I--" "What instruments do you--" "I'm from France too! Tu viens de Paris?" "Really? You--" Everybody seemed to be chattering, and Peter wished he could be in one of--actually, several of those conversations at once.

Paul's voice cut in and said, "For this next activity we are going to form a human circle. With your team, stand in a circle, and everybody reach in and grab another hand with each hand. Then hold on tight; when I say, "Go," you want to untangle yourselves, without letting go. The first team to untangle themselves wins!"

Peter reached in, and found each of his hands clasped in a solid, masculine grip. Then the race began, and people jostled and tried to untangle themselves. This was a laborious process and, one by one, every other group freed itself, while Peter's group seemed stuck on--someone called and said, "I think we're knotted!" As people began to thin out, Paul looked with astonishment and saw that they were indeed knotted. "A special prize to them, too, for managing the best tangle!"

"And now, we'll have a three-legged race! Gather into pairs, and each two of you take a burlap sack. Then--" Paul continued, and with every game, the talk seemed to flow more. When the finale finished, Peter found himself again with John and Mary and heard the conversations flowing around him: "Really? You too?" "But you don't understand. Hicks have a slower pace of life; we enjoy things without all the things you city dwellers need for entertainment. And we learn resourceful ways to--" "--and only at Wheaton would the administration forbid dancing while requiring the games we just played and--" Then Peter lost himself in a conversation that continued long into the night. He expected to be up at night thinking about all the beloved people he left at home, but Peter was too busy thinking about John's and Mary's stories.

The next day Peter woke up when his machine played a hideous sound, and groggily trudged to the dining hall to eat some chemically modified grains and drink water that had been infused with traditionally roasted beans. There were pills he could have taken that would have had the effect he was looking for, but he savored the beverage, and after sitting at a table without talking, bounced around from beautiful building to beautiful building, seeing sights for the first time, and wishing he could avoid all that to just get to his advisor.

Peter found the appropriate hallway, wandered around nervously until he found a door with a yellowed plaque that said "Julian Johnson," knocked once, and pushed the door open. A white-haired man said, "Peter Jones? How are you? Do come in... What can I do for you?"

Peter pulled out a sheet of paper, an organic surface used to retain colored trails and thus keep small amounts of information inscribed so that the "real" information is encoded in a personal way. No, they don't need to be trained to have their own watermark in this encoding.

Peter looked down at the paper for a moment and said, "I'm sorry I'm late. I need you to write what courses I should take and sign here. Then I can be out of your way."

The old man sat back, drew a deep breath, and relaxed into a fatherly smile. Peter began to wonder if his advisor was going to say anything at all. Then Prof. Johnson motioned towards an armchair, as rich and luxurious as his own, and then looked as if he remembered something and offered a bowl full of candy. "Sit down, sit down, and make yourself comfortable. May I interest you in candy?" He picked up an engraved metal bowl and held it out while Peter grabbed a few Lifesavers.

Prof. Johnson sat back, silent for a moment, and said, "I'm sorry I'm out of butterscotch; that always seems to disappear. Please sit down, and tell me about yourself. We can get to that form in a minute. One of the priveleges of this job is that I get to meet interesting people. Now, where are you from?"

Peter said, "I'm afraid there's not much that's interesting about me. I'm from a small town downstate that doesn't have anything to distinguish itself. My amusements have been reading, watching the cycle of the year, oh, and running. Not much interesting in that. Now which classes should I take?"

Prof. Johnson sat back and smiled, and Peter became a little less tense. "You run?"

Peter said, "Yes; I was hoping to run on the track this afternoon, after the lecture. I've always wanted to run on a real track."

The old man said, "You know, I used to run myself, before I became an official Old Geezer and my orthopaedist told me my knees couldn't take it. So I have to content myself with swimming now, which I've grown to love. Do you know about the Prairie Path?"

Peter said, "No, what's that?"

Prof. Johnson said, "Years ago, when I ran, I ran through the areas surrounding the College--there are a lot of beautiful houses. And, just south of the train tracks with the train you can hear now, there's a path before you even hit the street. You can run, or bike, or walk, on a path covered with fine white gravel, with trees and prairie plants on either side. It's a lovely view." He paused, and said, "Any ideas what you want to do after Wheaton?"

Peter said, "No. I don't even know what I want to major in."

Prof. Johnson said, "A lot of students don't know what they want to do. Are you familiar with Career Services? They can help you get an idea of what kinds of things you like to do."

Peter looked at his watch and said, "It's chapel time."

Prof. Johnson said, "Relax. I can write you a note." Peter began to relax again, and Prof. Johnson continued, "Now you like to read. What do you like to read?"

Peter said, "Newspapers and magazines, and I read this really cool book called Zen and the Art of Motorcycle Maintenance. Oh, and I like the Bible."

Prof. Johnson said, "I do too. What do you like about it most?"

"I like the stories in the Old Testament."

"One general tip: here at Wheaton, we have different kinds of professors--"

Peter said, "Which ones are best?"

Prof. Johnson said, "Different professors are best for different students. Throughout your tenure at Wheaton, ask your friends and learn which professors have teaching styles that you learn well with and mesh well with. Consider taking other courses from a professor you like. Now we have a lot of courses which we think expose you to new things and stretch you--people come back and see that these courses are best. Do you like science?"

"I like it; I especially liked a physics lab."

Prof. Johnson took a small piece of paper from where it was attached to a stack with a strange adhesive that had "failed" as a solid adhesive, but provided a uniquely useful way to make paper that could be attached to a surface with a slight push and then be detached with a gentle pull, remarkably enough without damage to the paper or the surface. He began to think, and flip through a book, using a technology thousands of years old at its heart. "Have you had calculus?" Prof. Johnson restrained himself from launching into a discussion of the grand, Utopian vision for "calculus" as it was first imagined and how different a conception it had from anything that would be considered "mathematics" today. Or should he go into that? He wavered, and then realized Peter had answered his question. "Ok," Prof. Johnson said, "the lab physics class unfortunately requires that you've had calculus. Would you like to take calculus now? Have you had geometry, algebra, and trigonometry?"

Peter said, "Yes, I did, but I'd like a little break from that now. Maybe I could take calculus next semester."

"Fair enough. You said you liked to read."

"Magazines and newspapers."

"Those things deal with the unfolding human story. I wonder if you'd like to take world civilization now, or a political science course."

"History, but why study world history? Why can't I just study U.S. history?"

Prof. Johnson said, "The story of our country is intertwined with that of our world. I think you might find that some of the things in world history are a lot closer to home than you think--and we have some real storytellers in our history department."

"That sounds interesting. What else?"

"The Theology of Culture class is one many students find enjoyable, and it helps build a foundation for Old and New Testament courses. Would you be interested in taking it for A quad or B quad, the first or second half of the semester?"

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